“To steal a Quentin Tarantino line,” he muses, mockingly, “‘Was that as good for you as it was for me?’”
There can be no mistake. This is when he breaks her. Her expression flattens. Her eyes go blank. She appears to be dissociating. Slowly, she turns from the camera, going somewhere else, inside herself, anywhere but here.
“OK, I’m going to bring the guys in here,” the man announces to no one in particular. “Because you’ve just gone to pieces on me.”
And, with that, the real scene begins.
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